The Case of
Desert Country
CHAPTER ONE
I had just
come over a sandy ridge when I spotted it. A grey cinder block building; beside
it a windmill and what looked like a carport. No cars were under it though. I
saw a mangy looking dog lying on the ground next to the front door. Other than
that, nothing.
I was fairly
certain I was no longer in Universation Nation. But was I finally in Normex
Annex and perhaps ergo also near San Manse’? And most important of all, was
Lance Straightpoint, fellow TPE, still alive?
As I got
near the building, I heard a guitar playing, and then as I approached the door
(the dog didn’t even notice me) I heard the following words being sung:
Changes were
bound to be made
But some of
us were afraid
Afraid we
might lose our way
On the road
To San
Manse’
I walked into the cool darkness of the building.
It was a bar and grill of some kind. The man I had heard playing the guitar and
singing put down his guitar and walked behind the bar. I guessed he was the
bartender as well as the entertainment.
“What can I
do you?” he asked in what reminded me of Southern English (my own dialect).
I flashed my
TPE ID slash credit card. “Anything that’s wet. I’m dry enough to start my own
personal drought.”
He handed me
a bottle of Old Mexican. We struck up a conversation.
“What brings
you to these parts?”
“I’m looking
for a fellow TPE.”
“What does
he look like?”
I described
Lance to him. He said he hadn’t seen anyone who matched that description. He
then handed me a second OM and went back to performing.
I know the
color of your heart
The
senseless way you tear it apart
I know
there’s a price to pay
On the road
To San
Manse’
CHAPTER TWO
While he was
singing, a menacing looking man of smallish stature sauntered into the saloon.
Somewhat surprisingly, he walked right up to me and sat on the stool next to
mine. The bartender spoke very respectfully to him.
“What can I
do you… Sir?
“Do you have
some Old Montezuma?”
“Yes, sir.
Right away, sir.”
The man
looked over at me. “Greetings, Senor Neercassel.”
“You have me
at a disadvantage, sir. You know my name but I do not know yours.”
“I am D.E.
Nerdez, retired sniper.”
“Permanently,
I hope.” I smiled. A little tentatively, but a smile nonetheless.
“Absolutely,
and to be honest with you, I was never much of a sniper. I could never bring
myself to actually killing anyone. It was more like warning shots off the bow,
if you know what I mean.”
I thought
back to a couple of days before when I had been shot at and almost killed (see
CASE NUMBERS NINE AND TEN). Coincidence? Yet, I instinctively knew somehow not
to pursue the matter.
“What made
you retire?”
“A trigger
finger that was beginning to tremble at the wrong time and the conversion of my
most recent employer from a so-so evil person to a decent human being.”
“Sounds
inspiring.”
“It was.
Bartender, bring us another round. This time a couple of Old Monterreys.”
“Thanks.
That’s mighty kind of you. What do you plan to do now?”
“I plan to
seek citizenship in the Universation Nation.” With that he finished off his Old Monterrey and started to leave. At the
door he turned around and said, “Adios, Senor. May you find success in your
desert endeavor.”
CHAPTER
THREE
The
bartender and I were alone again. He spoke up first. “I’ll be a son of gun. Not
in a million years did I ever think Nerdez would retire from sniping.”
“Universations
can do that to you.” I replied cryptically. Before the bartender could respond,
I asked him, “What’s your name and how did you end up here? You seem to be
pretty talented with that guitar and you have a good singing voice. “
“I’m Malcolm
Isaiah Tubebacher but most people just call me MIT. I‘m a graduate of
Vanderbilt University in Nashville, Tennessee.”
“What’s your
degree in, MIT?”
“Physics. I
originally came down here to study the instability of Normex Annex. I was on a
team of twenty physicists. We built this building to be our base. About a week
after we got here, Normex Annex dematerialized. Six months later Normex Annex
had not rematerialized. Then our funding dried up so everybody left to go back to
their respective institutions and employers. Everybody
except me. I had fallen in love with the place. I decided to make the building
a saloon and pursue my life-long dream of being a country singer. That was three
months ago.”
“Still no
Normex Annex?”
“It actually
reappeared about two weeks ago?”
“Have you
investigated it?”
“No but I
wrote a song about it.”
“Really?
What’s the name of it?”
“All my Exes
live in Annexes.”
CHAPTER FOUR
Sounded like
a winner. I started to ask MIT to play it for me whenhe said, “I’m glad you here.
Do you have time to help me out?”
“It’s the
least I can do.” I replied.
“I’ve got a
couple of musicians stopping by this afternoon to rehearse for a gig here this
weekend. You can be a judge.”
Just then, a
tall man with black hair combed straight back appeared at the door. He walked
over to the stage and adjusted the microphone. My TPE trained mind told me he
must be one of the musicians. Then he started singing:
Hey
Hello baby, Conway here
Let me lay this in your ear
Get ready to go
We gonna roll about sundown
I got some boogie-woogie music
On the old 8 track
Yeah, I got the top laid back
We'll go cruisin'
We'll go foolin' around
Well here I am baby, ready to play
Slide it on in, we'll slip away
We gotta get it, we ain't got a moment to waste
I got a six-pack of longnecks
In the trunk on ice
Ohhh but you sure look nice
makes me want to hold you
and kiss you all over your face
It's a red-neckin' love-makin' night
You ain't had much til you been touched in the moonlight
You feel it most when you get real close and you hold on tight
It's a red-neckin' love-makin' night
It's a red-neckin' love-makin' night
Stars in your eyes, wind in your hair
Oh, what a down home love affair
When we go out walkin'
We know what we're talkin' about
Listen to the wipporwills
How they sing
Just like us, they're doin' their thing
We know what we got
When the nights get hot down south
It's a red-neckin' love-makin' night
You ain't had much til you been touched in the moonlight
You feel it most when you get real close and you hold on tight
It's a red-neckin' love-makin' night
It's a red-neckin' love-makin' night
Hello baby, Conway here
Let me lay this in your ear
Get ready to go
We gonna roll about sundown
I got some boogie-woogie music
On the old 8 track
Yeah, I got the top laid back
We'll go cruisin'
We'll go foolin' around
Well here I am baby, ready to play
Slide it on in, we'll slip away
We gotta get it, we ain't got a moment to waste
I got a six-pack of longnecks
In the trunk on ice
Ohhh but you sure look nice
makes me want to hold you
and kiss you all over your face
It's a red-neckin' love-makin' night
You ain't had much til you been touched in the moonlight
You feel it most when you get real close and you hold on tight
It's a red-neckin' love-makin' night
It's a red-neckin' love-makin' night
Stars in your eyes, wind in your hair
Oh, what a down home love affair
When we go out walkin'
We know what we're talkin' about
Listen to the wipporwills
How they sing
Just like us, they're doin' their thing
We know what we got
When the nights get hot down south
It's a red-neckin' love-makin' night
You ain't had much til you been touched in the moonlight
You feel it most when you get real close and you hold on tight
It's a red-neckin' love-makin' night
It's a red-neckin' love-makin' night
It was a Conway Twitty impersonator and not a bad one
at that. And he had sung a classic Conway song.
MIT asked me, “What do you think, Mr. Neercassel?”
“Call me Nick. I liked him. Makes me feel kinda sad
though. Reminds me of what the world of country music lost when it lost Conway.”
CHAPTER FIVE
About an hour passed before the next applicant performed
and in the interim MIT brought me some tamales. Very tasty and nutritious; I
hadn’t eaten much in the last few days so the food was very much appreciated.
The second and final applicant sang without benefit of
accompanying music. His song went a little bit like this:
Been out on the road so long
Don’t know where I come from
Don’t know where I belong
So I keep on going on
Oh, I’ve been to Phoenix
And I’ve been to San Antone
But no matter where I go
I’m always alone
You call my number
Nobody there
That’s why they call me
Miles from Nowhere
Second rate has been my fate
So much I never learned
Signals crossed and I got lost
Don’t know where to turn
You call my number
Nobody there
That’s why they call me
Miles from Nowhere
Haunting lyrics and the guy made it work without the
accompanying music. I asked him, “Why no guitar or piano or such?”
“I sing acapulco.”
“Don’t you mean a cappella?”
“Acapulco is Mexican for a cappella.”
You learn something new every day.
MIT thanked Acapulco (he went by the name of what he
did) for his performance and scheduled him for the 10 pm slot on Friday night.
It was starting to get dark and I asked MIT about what time did most of his customers start drifting in; Mitt looked surprise at the
question.
“What do you mean customers?”
“You know. Patrons; people; men and women who come in
and buy drinks and food and listen to the music.”
MIT scratched his head.
“But where would they come from? Nobody lives around
here.”
CHAPTER SIX
“You mean you don’t have customers? How does your
enterprise survive?”
“By word of mouth, mostly.”
Now I was scratching my head.
“Please explain that remark.”
“Well, all the former members of the Normex Annex
Discovery Agency (NADA) who are back in the states are telling their friends,
family, and work associates about this place. I’m sure any day now people will
start flocking in.”
“How can you be sure of that?”
“I’ve got a degree in Quantum Physics. I’m never sure
of anything.”
“Good point.”
I decided to change the subject. I didn’t want to send
MIT into a state of depression.
“Have you ever heard of the Cult of the Raspberry
Tart?”
“Cassy Castenada’s group?”
“That’s it. I think they may have something to do with
the disappearance of Lance, my fellow TPE.”
“Why?”
“They suspected Lance was anti-peyote as well as
anti-instability.”
“Is he?”
“Yes on the former; no on the latter. Too much
stability is not good for a TPE. We lose our edge.”
MIT thought for a moment. “I don’t see Tarters as
murderers. Displacers yes. I could see them sending Lance to another dimension.”
“Is that possible?”
“Oh, yea. I actually visited some while getting my PhD
at Vanderbilt. I remember one in particular where Ivory soap was 99 and
45/100ths pure.”
“How easy is it to travel between dimensions?”
“Easy enough…. if you have the key.”
CHAPTER SEVEN
I was getting ready to leave when a young lady came
into the establishment. MIT asked her the usual “What can I do you?”
“An Old Montevideo and a chance to sing my song.”
“You’ve got it, pretty lady.” She drank the OM in a few
strong gulps and then sat down at the piano. She played a few opening notes,
then said:
“I WAS BORN A PIG FARMER'S DAUGHTER by Miss Loretta”
And then she started singing:
I was borned a pig farmer's daughter.
In a pen near a sty near a holler.
Thangs would stink and thangs would squeal,
Thangs was bad, but thangs was real,
And no one could ever hear me in the holler.
I took up sangin', and I worked such a happy crowd,
The pigs didn't seem to care if I sang real loud.
I could hit them notes all wrong,
And forget the words to my song,
But the pigs was always nice to the pig farmer's daughter.
In the wintertime, the slop would up and freeze,
And my piggies would line up beggin' on their bended knees.
Sometimes I stole some cookies and cream,
To let 'em starve, I'd never dream,
I stood by the pigs like the a good pig farmer's daughter.
When I was 30, folks told me I didn't have shoes to wear,
It was news to me, and wandered just why I'd care.
When I put 'em on, it hurt,
So I went back straight to the dirt,
And in Nashville it helped to be a barefooted pig farmer's daughter.
I was borned a pig farmer's daughter.
In a pen near a sty near a holler.
Thangs would stink and thangs would squeal,
Thangs was bad, but thangs was real,
And no one could ever hear me in the holler.
I took up sangin', and I worked such a happy crowd,
The pigs didn't seem to care if I sang real loud.
I could hit them notes all wrong,
And forget the words to my song,
But the pigs was always nice to the pig farmer's daughter.
In the wintertime, the slop would up and freeze,
And my piggies would line up beggin' on their bended knees.
Sometimes I stole some cookies and cream,
To let 'em starve, I'd never dream,
I stood by the pigs like the a good pig farmer's daughter.
When I was 30, folks told me I didn't have shoes to wear,
It was news to me, and wandered just why I'd care.
When I put 'em on, it hurt,
So I went back straight to the dirt,
And in Nashville it helped to be a barefooted pig farmer's daughter.
MIT and I both clapped big time. “How about another
one?” we said in unison.
“Alright. Here’s DON'T COME HOME STILL EATIN', WITH
SQUEALIN' ON YOU MIND.”
There you are outside the pigpen,
Holdin' flowers to your chest.
You've eaten half the petals,
And you're workin' on the rest.
What started out romantic,
Has vanished in a fog,
And now you're in the slop again,
Just actin' like a hog.
So, don't come home still eatin',
With squealin' on your mind,
Just stay outside with the donuts,
And have a pig-out of a time.
If you want a snackin' kind of love,
Well, you don't want none of mine.
And don't come home still eatin',
With squealin' on your mind.
There you are outside the pigpen,
Holdin' flowers to your chest.
You've eaten half the petals,
And you're workin' on the rest.
What started out romantic,
Has vanished in a fog,
And now you're in the slop again,
Just actin' like a hog.
So, don't come home still eatin',
With squealin' on your mind,
Just stay outside with the donuts,
And have a pig-out of a time.
If you want a snackin' kind of love,
Well, you don't want none of mine.
And don't come home still eatin',
With squealin' on your mind.
This girl was fantastic. I hadn’t heard great pig
inspired lyrics since THE CASE OF THE ODD PIG OUT when I visited a barbecue
joint in Holly Hill, South Carolina.
“You need to hire her on the spot, MIT!”
The girl said, “I can’t stay. I’m on my way to
another place and time. Just wanted a
chance to sing my sing and you fellas gave me that.”
“We thank you.” MIT handed her an OM for the road.
“You’re welcome back anytime.”
I asked MIT, “Do you often have people pass through
on their way to another place and time?”
“It happens all the time. I even wrote a song about it.”
“Let's hear it.”
Just passin’ thru, my new acquaintances
I was attracted by the females here
And their fragrances
I won’t stay long
The smells are too strong
Do you have an Old Milwaukee beer?
MIT asked me. “Well, what do you think?”
CHAPTER EIGHT
It was then I looked around and standing in the doorway
was Walter Brennan or someone who looked just like him. MIT spoke:
“Come on in Jedediah. We were just getting ready to
talk about the meaning of life.”
We were? And for a place with little or no population,
this joint was literally swarming with people.
We introduced ourselves. Jedediah turned out to be a
prospector and had lived alone in the desert for the past twenty years where he
obviously had lots of time to think. We talked for about four hours and I’ve
boiled down his thoughts and observations into the following format:
It remains to be seen if life has meaning; meaning
in the sense of lasting truth. Some would argue that only insufferable fools or
blatant egotists would seemingly care about either truth or meaning. Life is
purely existential they would say. Truth and meaning change as life changes.
But does life ever really change? The answer to that is that something
definitely does change. But is the change substantial or insubstantial? Is
there a spiritual component that overlays our physical, observable world? And
if there is, is it the source of immutable truth and meaning in our relative
world?
I (Jedediah) would argue, in a practical sense, that
as goals, truth is somewhat unattainable, and meaning is maddingly elusive.
Humanity is too diverse for any one man or group of men to come up with some
homogeneous ideological or theological way of doing things that would satisfy
everybody. Man is forever getting bogged down in symbols and other notions of
unreality to ever get too close to the truth.
But then, as Pilate said to Jesus two thousand years
ago: What is Truth?
No man knows for sure.
Perhaps it is humanity’s particular fate to have
minds that contemplate all sorts of abstract questions that cannot be answered.
Perhaps there is a God, who within himself, has all the answers, and truth to
him is like our hands are to us, not only salient parts of our bodies, but also
extensions of our personalities.
So if truth is beyond our reach, is meaning within
our grasp?
I (Jedediah) think so.
This is where the abstract workings of our minds come
into play. We can not only enjoy, in a physical and emotional sense, the taste
of something sweet, we can also, decide intellectually, whether or not it is
good for us. This we do by our power of reason, our ability to compare and
contrast, our historical perspective, and by our sense of uniqueness as
self-conscious individual beings in a larger universe.
So the idea of meaning is tied in with the idea of
the good life.
And the good life is not a return to the Garden of
Eden. In fact it is a renunciation of such a thing. For the good life is not
the glorification of innocence, but neither is it the worshiping of perdition.
The good life is one of maintenance; maintaining a
precarious balance between opposing forces in the world; living near the edge
but never falling off.
The good life is simply a life of balance.
Thus meaning is for today. Truth is for tomorrow.
CHAPTER NINE
Jedediah had left about an hour earlier pulling his donkey, Maybelline, by the
tether. Maybelline was loaded down with picks and shovels as well as grub and
writing utensils. Jedediah had done a lot of thinking. Maybe it was now time to
put some of that thinking down on paper.
I asked MIT if there were any more verses to the
song I had heard him singing when I had first walked into his establishment.
“One more but it’s more of a prophetic verse in the
sense that it hasn’t happen yet but it might.”
“Sing it for me.”
For all those of fear the rain
Who’ll never see the sun again
It’s a long way to that day
Along the road
To San Manse’
I’d been in the desert for a good many days and I
hadn’t seen a drop of rain.
“Isn’t there more, MIT? Aren’t you leaving the
chorus out?”
“Yes, but how did you know?”
“Trade secret. Just sing it.”
Lost in the hurricane
Nobody knows my name
I’ll never find my way
To San Manse’
I was right. The Judgment was coming.
CHAPTER TEN
I departed at ten pm, leaving MIT on the edge of his
own reality. Before I left, he sung one last song, written surprisingly by
Jedediah.
I’ve been in the desert
Searchin’ for gold
The desert hasn’t been
A good place to grow old
So I mended my ways
And stopped using the bottle
Slowed down my hurrying
Discovered the throttle
And laid on my back
Neath a million stars
And wondered why Tiger
Quit making birdies and pars
MIT didn’t stop there but by the end of the first
song I was just about out of hearing range and by the time he started singing
the second one I was.
EPILOG
Readers may wonder why TPEC had not sent out a
rescue squad when they discovered my celestial cell phone had become missing.
Well, it has a lot to do with Ralph Waldo Emerson and his essay on
Self-Reliance and also the simple fact that there’s a heck of a lot of evil in
this old world and universe and the numbers aren’t always in favor of the good
guys. TPEs are trained to deal with the reality of the situation they find
themselves in even when that reality is shifting like the sand beneath their
feet.
My biggest question remained: was Lance still
alive?; and my second biggest question: was he in Normex Annex?; and my third
biggest question: was Normex Annex in the vicinity or had it destabilized to
another location on Earth? Was it even on Earth?
MIT had told me that in the six months NADA (Normex
Annex Discovery Agency) had functioned, several maps of the area had been
produced but the maps had been lost when an unexpected wind named Mariah had
suddenly arisen and blown the maps into the distant horizon. NADA had made a
valiant effort to come up with the maps but had found nothing. Finding the maps
had gone to the top of my to-do list, and unlike NADA, I would not be satisfied
with nothing.
After all, nothing as a metaphysical concept, did
not exist and even nothing had to be something. Something, on the other hand,
was too abstract while nothing in the phenomenal world had a more concrete
basis. If I had an apple and ate it, did the apple become nothing or did it
become something different from what it was before? I chose to believe that the
chaos that surrounded me was not the product of nothing but of something and by
finding this something I would be defeating the nothingness that screamed at me
in the small corners of the night.
It seemed like a good time to pray, which I did, and
upon completing the prayer, I opened my eyes and put one foot in the front of
the other.
THE END
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